The organizers of the Larnaca Biennale asked us to propose a space for their evening events program. Our approach was to think, how our installation can belong to the site by borrowing from it. We saw this empty lot as an opportunity to explore the idea of how public space is constantly borrowing from their surroundings. In this case from the city, the mundane, the neglected corners of the city, back alleys, rear facades, and things we prefer to hide. Our installation aimed to borrow from that landscape by funneling people around different perspectives of this lot. The same medium became a mechanism to record the presence of the audience borrowing from the landscape and from the performance.
An ephemeral utopia that lasted in a specific moment and was recorded on our temporal objects.